Borrowed picture from The DASH Ensemble. Here: Lilja in action.
Igar kvall akte Jim och jag till Brooklyn. Vi ville hitta nagot bra stalle att ata pa, men det stallet som verkade bra serverade inte mat forran 6pm (!!), sa vi gick till en Irish bar som hade sjukt goda och billigare appetizers.
Efter det gick vi till Actors Fund Arts Center. Igarkvall var det de professionella kompanierna, de andra kvallarna i Brooklyn Dance Festival ar det emerging artists. Jag kanner dansare i bade Arch Dance och The Dash Ensemble som performed igar.
Det ar alltid intressant att ga och se dans har. Mycket av det ar ren skit. Men jag hade en open mind om kvallen igar eftersom det var redan valkanda koreografer. The Dash var helt klart bast. Bra anvandning av rummet, kladerna, samhorigheten mellan dansarna, ja, det foll mig i smaken. Sista nummret var ett stepp nummer. Jag har aldrig sett Tap-dance pa scen som jag har tyckt varit intressant fram tills igar. Det ar en svar dans att fanga publiken med, men den har gruppen, Jason Samuels Smith & Company, sag ut att ha roligt och bjod publiken pa en riktigt proffsig stepp.
Ett kompani, SynthesisDance, var sa enormt daligt att jag slumrade till ett par ganger. Trakiga kostymer, forutsagbart, enformig och trakig musik, dalig ljussattning och dansarna sag ut som att de ville morda oss trots att det skulle vara “vacker” dans. Dansen var en total show-off: “Titta pa mina viga ben, och har kan du fa se det igen. Spagat. Jag ar vig och jag kan dansa”. Usch det var sa daligt. Till den stor besvikelsen var det sen samma kompani som dansade igen efter den lilla pausen. Den koreografin var liiiiite battre, men nej, inte bra! Men kanske ar det nyttigt att se riktig skit ibland sa att man kan uppskatta det som ar bra. Jag vet inte.
Last night, Jim and I went to Brooklyn. We wanted to find some good place to eat, but the place which seemed good served no food until 6pm (!!), so we went to an Irish bar that had really great and cheaper appetizers.
After that we went to the Actors Fund Arts Center. Last night was the professional companies, the other evenings at the Brooklyn Dance Festival are the emerging artists. I know dancers in both Arch Dance and The Dash Ensemble that performed yesterday.
It is always interesting to go see dance here. Much of it is pure crap. But I had an open mind about last night because it was already well-known choreographers. The Dash was clearly best. Good use of the room, the clothes, togetherness between the dancers, yes, that was interesting to me. The last number was a tap dance number. I’ve never seen tap-dance on stage that I’ve thought were interesting until yesterday. It’s a hard dance to catch the audience with, but this group, Jason Samuels Smith & Company, looked like they had fun and gave the audience a truly professional tap dance.
One company, SynthesisDance, was so tremendously bad that I dozed off a couple times. Boring costumes, predictable, monotonous and dull music, poor with the lighting and the dancers looked like they wanted kill us even though it was supposed to be a “beautiful” dance. The dance was a total show-off: “Look at my flexible legs, and here you can see it again. Split. I’m flexible and I can dance”. Ugh, it was so bad. The great disappointment was that the same company came back and danced again after a short pause. The choreography was a liiiittle better, but no, not good! But maybe it’s good to see pure crap sometimes so that you can appreciate what is good. I don’t know.
Tjingeling
